The Full Frame Fix at the Nasher Museum of Art October 15-16

Still image from "Resurrect Dead: The Mystery of the Toynbee Tiles," one of the films being screened at the Full Frame Fix

Saturday and Sunday, October 15-16, 2011
Nasher Museum of Art at Duke University

A weekend matinee marathon featuring favorites from the 2011 Festival and newer titles which have yet to reach North Carolina.

FREE and open to the public, first-come-first-served.

October 15 (1:00 p.m.)
The Swell Season
Directed by Nick August-Perna, Chris Dapkins, and Carlo Mirabella-Davis
2011. U.S. 90 minutes.
Official Website and Trailer

The world fell in love with Glen Hansard and Markéta Irglová when their songwriting collaboration in the film Once culminated in a jubilant Oscar win. But behind the scenes, where Glen and Markéta’s on-screen romance became reality, a grueling two-year world tour threatens to fracture their fated bond. This music-filled documentary is an intimate look at the exhilaration and turmoil created by both love and fame.

October 15 (3:00 p.m.)
Resurrect Dead: The Mystery of the Toynbee Tiles
Directed by Jon Foy
2011. U.S. 88 minutes.
Official Website and Trailer

A classic whodunit adventure following three men determined to solve the mystery of the Toynbee Tiles, whose cryptic message is embedded in cities around the world.


October 16 (1:00 p.m.)

Il Capo
Directed by Yuri Ancarani
2010. Italy. 15 minutes.
(plays with A Matter of Taste)

This stunning cinematic short follows an Italian machinery conductor as he deftly directs his crew to carve marble out of the mountain.

A Matter of Taste (1:00 p.m.)
Directed by Sally Rowe
2010. U.S. 68 minutes.
(plays with Il Capo)
Official Website and Trailer

After several failed ventures, the youngest chef ever to earn three stars from the New York Times tries to re-establish himself in the competitive world of fine dining.

October 16 (3:00 p.m.)
Give Up Tomorrow
Directed by Michael Collins
2011. U.S. 90 minutes
.
Official Website and Trailer

Set amidst old world vestiges of colonialism, classicism and backdoor politics in the Philippines, Give Up Tomorrow rivetingly exposes a Kafkaesque contemporary world of corruption and injustice. In a murder case that ends a nation’s use of capital punishment, but fails to free an innocent man, two grieving mothers personify the chasms – both nightmarish in scope – that divide two families and, by extension, a nation.

The Full Frame Fix is presented by the Full Frame Documentary Film Festival, the Center for Documentary Studies, and the Nasher Museum of Art at Duke University.

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